Conservation poetry: a field guide

Is there such a thing as conservation poetry? This question has been running through my mind since I talked with a Masters student who was doing a project on ‘conservation art’. I asked exactly what that meant. This led to an interesting discussion about different artists (primarily in graphic art or sculpture) whose work spoke of themes central to conservation. There are lots of examples, either of projects (the Ghosts of Gone Birds for example), organisations (such as the Artists for Nature Programme), or individuals (like the wonderful murals of my friend Rory McCann).

Yet while I can think of many artists whose work inspires me as a conservationist, I hesitate to say that my response necessarily matches their intention: the question for me is whether my feelings should be allowed to label their art? To me, artists do what they do, expressing what they see or hear in their heads. The notion that the resulting art, even if it portrays some aspect of nature, should necessarily be thought of as ‘conservation art’, seems wrong. Art just is. Its effects lie with the response of those who engage with it.

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